Plots Revenge
The first season of the ABC American television drama series Revenge premiered on September 21, 2011 and concluded on May 23, 2012, with a total of 22 episodes. The series was created by Mike Kelley and is inspired by the Alexandre Dumas novel The Count of Monte Cristo. A Mexican father beat his own children to death in a senseless plot to get “revenge” on his wife after an argument over the weekend, authorities said. The suspect, identified only as Luis. Trump's pro-sedition cultists plot revenge on 'traitors' Kerry Eleveld. Daily Kos Staff. Tuesday January 05, 2021. Revenge is an American drama television series created by Mike Kelley and starring Madeleine Stowe and Emily VanCamp, which debuted on September 21, 2011, on ABC.The plot is inspired by Alexandre Dumas' 1844 novel The Count of Monte Cristo.
If you were with us last week for Heather’s post on productivity, you know we announced our Blogging from A to Z Challenge theme, Masterplots Theater.
Heather and I didn’t coin the term masterplot and I’m not sure who did. However, the idea comes from a familiar writing concept, namely that all stories have been told before. We can boil down every plot into some basic core elements. Once we find that core, it’s often contained under a simple heading: romance, quest or revenge to name a few. Our posts all next month will showcase 26 masterplots. We’ll have examples of books and films that use them. Plus each post will include common tropes and story elements you’re likely to find in each of the masterplots.
Story uniqueness is what every author hopes to achieve and hearing that there are no new stories causes some writers to get upset. Hopefully, everyone realizes each book is special. A writer adds their experiences, writing voice and personal spin to every word. Plus genre and target age range will affect the treatment of any masterplot. The way a story is written for ten-year-olds about getting revenge, finding love, or heading out on a quest is different from the same masterplot written for adults. Also two masterplots can be woven together to create more complexity and add layers to the story. However, for better or worse, all stories start with some core masterplot element.
It’s how writers makes small changes and critical choices that turns a masterplot into something memorable.
A few nights ago, I watched Conan the Barbarian (it was my husband’s idea), and the movie is a textbook example of a revenge masterplot.
The basic points of this masterplot are:
- The protagonist experiences a wrong (or a perceived wrong) at the hands of the antagonist. Conan is a boy when his village is pillaged and burned by an evil warlord.
- The protagonist can’t find justice by traditional means, which triggers a need for revenge (often referred to as justice) against the antagonist. In Conan’s case, there is no power higher than his antagonist.
- The problem the protagonist suffered is personal. The death of a loved one is common. That’s the case with Conan: both his parents are killed in the village raid.
- The protagonist and the reader should feel the protagonist has the moral high ground. This creates and justifies the protagonist’s actions. Conan’s bad guys are really bad!
- The end of the revenge masterplot often includes a feel good moment, justice is served, and the bad guy goes down. Conan kills the warlord.